Hodder & Stoughton to publish Monsters in the Archives: My Year of Fear with Stephen King by Caroline Bicks
September 2, 2025
A fascinating, first of its kind exploration of Stephen King and his most iconic early books, based on groundbreaking research and interviews with King – all conducted by the first scholar to be given extended access to his private archives.
Hodder & Stoughton is delighted to announce the publication of Monsters in the Archives: My Year of Fear with Stephen King by Caroline Bicks. Hodder will publish in hardback, trade paperback, ebook and audio alongside US publisher Hogarth on 21 April, 2026.
After Caroline Bicks was named the University of Maine’s inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer’s creative process – most of them never before studied or published. The year she spent exploring King’s early drafts and hand-written revisions was guided by one question millions of King’s enthralled and terrified readers (including her) have asked themselves: What makes Stephen King’s writing stick in our heads and haunt us long after we’ve closed the book?
Bicks focuses on five of his most iconic early works – The Shining, Carrie, Pet Sematary, ‘Salem’s Lot, and Night Shift – to reveal how he crafted his language, storylines, and characters to cast his enduring literary spells. While tracking King’s margin notes and editorial changes, she discovered scenes and alternative endings that never made it to print, but that King is allowing her to publish now. The book also includes interviews Bicks had with King along the way that reveal new insights into his writing process and personal history.
Part literary master class, part biography, part memoir and investigation into our deepest anxieties, Monsters in the Archives – authorized by Stephen King himself – is unlike anything ever published about the master of horror. It chronicles what Bicks found when she set out to unearth how King crafted some of his scariest, most iconic moments. But it’s also a story about a grown-up English professor facing her childhood fears and getting to know the man whose monsters helped unleash them.
international bestseller Stephen King.
Philippa Pride, Stephen King’s British editor, says: ‘This is a fascinating and unique exploration of King’s work – authorised by Stephen King himself – by Shakespearian scholar Caroline Bicks. It offers new insights into the creative and personal world of Stephen King, which will appeal not only to those fans who devoured King’s book On Writing, but also to those who are fascinated by the writing process.’
Some early praise for Monsters in the Archives:
‘Caroline Bicks has penned an affable, compulsively readable mix of memoir, biography, and heady analysis of Stephen King’s iconic early works enhanced by access to early drafts and notes. Monsters in the Archive is a treat for fans of Stephen King as well as anyone who ever wanted more of a peek behind the curtain at the great and terrible authorial Oz.’ – Paul Tremblay New York Times bestselling author of Horror Movie and A Head Full of Ghosts
‘Illuminating and original, Monsters in the Archives takes us deep into Stephen King’s private papers to show us how he crafted some of his most iconic, haunting books and took possession of so many of our imaginations.’ – Amy Tan, author of The Joy Luck Club
‘These word-by-word comparisons of different stages of these canonical stories are a master class in craft – and a peek behind the curtain. Thank you, Caroline Bicks.’ – Stephen Graham Jones
‘Literary scholars dream of having access to the drafts and notes of a major writer, then talking with the author about decisions, great and small, that inform the work. Caroline Bicks, who gets this rare chance, makes the most of it, offering a deeply engaging account of her discoveries in Stephen King’s archives. It will be treasured by admirers of his novels and is a must read for anyone curious about how great books get written.’ – James Shapiro, Professor of English, Columbia University
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